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REVIEW: 'Home Sick Pilots' #2 by Dan Watters, Caspar Wijngaard, and Aditya Bidikar
The Old James House has lost its ghosts. With her new powers, it's up to Ami to bring them back...whether they want to come home or not. Even when they're really big ghosts wrapped in metal, with lots of sharp edges and things.
Score: ★★★☆☆ (3/5)
A powered-up ghostified Ami has been compelled to find the ghosts of The Old James House in the form of an enchanted horseshoe. Its current bearer isn't going to give it up so easily. Meanwhile, Ami's friends Buzz and Rip are left looking for answers about her whereabouts back at the house. The second issue of Home Sick Pilots from Dan Watters and Caspar Wijngaard takes a surprising turn as it defies the expectations of a haunted house story established in its debut.
Issue one was a stellar debut that had a lot of energy from its young protagonists that separated it from other comics that feature teens. The shocking haunted house horror story felt refreshing and inventive. Watters throws us a curveball in issue two where it's not so much about the Old James House itself but its influence and power bestowed upon Ami herself. The House has some sort of supernatural power that makes it sort of sentient with a malevolent streak. It wants what it wants and Ami is the way it can reach beyond its walls.
What materializes is somewhat of a mixed bag. A lot occurs in a short period of time. So quickly in fact that the emotional beats that are meant to hit hard don't because they don't feel earned. The build-up in retrieving the horseshoe is better than the payoff. Things haven't been fully established yet. We've just met Ami, her new powers, this bearer of the horseshoe, her backstory, the band's backstory, and figuring out what the House wants. It's a lot to juggle in only issue two.
What's undeniable is the outstanding art by Wijngaard. The framing of each panel, each page is exceptionally well-paced with the subjects centered for maximum visibility and impact. The inventiveness he finds in pulling back from the color and the action to ruminate on Ami's thoughts in a stark almost-black page is powerful. The character designs are perfect as seen in the first issue but this time with some supernatural figures. Wijngaard's work reminds me of another remarkable Image comic, Paper Girls, by Brian K. Vaughan, Cliff Chiang, and Matt Wilson. Like Chiang and Wilson, Wijngaard employs really clean lines and a limited color palette. The shades of red, blue, and green create an atmosphere that uniquely defines this world, and it jumps off the page.
'Home Sick Pilots' #2 picks up where the first issue left off but jumps the gun in diving into an emotional storyline that doesn't resonate. New revelations about what the House wants and how it'll go about getting it does provide an exciting angle going forward. There are enough mysteries and supernatural shenanigans going on, beautifully designed by Wijngaard, to keep readers hooked for now.
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